Text and textile are inseparable.
Rosalind’s practice explores how handwriting and fabric can work together to preserve stories, creating intimate portraits of the people behind the marks.
Slowness is a form of care.
Stitching words into cloth transforms fleeting handwriting into something deliberate and enduring, enhancing that quiet voice of a person and revealing the humanity within.
Cloth carries memory.
A stitched letter, a laundry mark, or a worn hem can become an archive – garments hold the physical and emotional presence of those who wore them.
Mark-making connects us across media.
Whether painting a mountain or stitching a letter, Rosalind sees every gesture as part of the same expressive language – one that links movement, emotion and form.
Art can be a vessel for grief and beauty.
From lab coats embroidered with cancer patients’ stories to collaborative tributes like The Stitch Lives of London, Rosalind’s work invites reflection on the connection between handwriting, humanity and personal stories.
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