Angela Truscott
Memory and moment through collage with Robert Lee Davis
In his layered, personal collages, Melbourne-based artist Robert Lee Davis transforms materials into whimsical landscapes of memory and place. From...
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Show Notes
Takeaways from this episode:
- Fibre is a generous medium.
For Shin-hee, thread and fabric offered creative freedom during years of caregiving, parenting and teaching. Readily available and deeply symbolic, these materials became a way to make art in the margins of daily life. - The domestic is not insignificant.
In works like her installation MOM, Shin-hee honours the repetitive, often invisible labour of women. "Women's work is hard work," she says. "It's sustaining, even if it goes unrecognised." - Portraits are a form of empathy.
Whether stitched from yo-yos or coiled fabric, Shin-hee's portraits are not just likenesses. They are meditations on humanity, memory, and interconnectedness. "I want their faces to speak about humanity," she reflects. - Spirituality shapes the process.
Shin-hee's Christian faith, merged with Eastern philosophy, informs not only what she makes but how she makes it. Her slow, meditative stitching becomes an act of devotion, reflection and healing. - Art embraces paradox.
In Shin-hee's work, contrasts coexist between male and female, East and West, art and craft. Rather than seeking resolution, she invites us to dwell in complexity and see beauty in contradiction.
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Explore the artwork from this episode below
During the live interview, we shared some images of Shin-hee’s artwork. Since you’re listening to the podcast version, we’ve made these images available for you below.
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